Friday, September 27, 2013
Glyph Monster
I think my glyph monster could have been better, but overall it was fun to make. I liked the creativity required on this project and the freedom we had to design it the way we wanted. I had to overcome the struggle of trying to form weird designs that shapes don't really look like. All in all, this project was fun.
Wednesday, September 25, 2013
TYPO
For this project, I used typography to give an effect to the viewer. I chose this background photo because I love the look foggy mountains gives and I think it adds to the mystery of the TYPO. To do this, I used tools such as the minus front and the direct selection tool to take off parts of certain letters.
Tuesday, September 24, 2013
Monday, September 23, 2013
Typography Worksheet
Typography Worksheet:
Use the links below to complete the worksheet
Use the links below to complete the worksheet
Write out the answers to
these questions in complete sentences.
Label and define all of the above numbers:
1.
The ascender
line is the imaginary line which determines the height of ascenders.
2. The base line is the imaginary line on which all characters rest. Descenders hang below the base line.
3. The ascender height is the x-height plus the height of the ascending stroke. It is the distance between the base line and the ascender line.
4. The cap height is the height of capital letters. It is the distance between the base line and the cap line.
5. The descender is the stroke of a letter which dips below the base line as in the letters g and j.
6. The ascender is the stroke of a letter which rises above the mean line, as in the letters d, f, and k.
7. The x-height is the distance between the flat top and bottom of a lower case letter which has no ascender or descender, such as x. It is the distance between the base line and the mean line. The curved tops and bottoms of the p, o, and g extend beyond these lines so that they appear visually to fit the x-height.
8. The cap line is the imaginary line which determines the height of capital letters.
9. The mean line is the imaginary line which determines the height of lowercase letters. Asc - enders rise above the mean line.
10. The descender line is the imaginary which defines the bottom reach of descenders.
2. The base line is the imaginary line on which all characters rest. Descenders hang below the base line.
3. The ascender height is the x-height plus the height of the ascending stroke. It is the distance between the base line and the ascender line.
4. The cap height is the height of capital letters. It is the distance between the base line and the cap line.
5. The descender is the stroke of a letter which dips below the base line as in the letters g and j.
6. The ascender is the stroke of a letter which rises above the mean line, as in the letters d, f, and k.
7. The x-height is the distance between the flat top and bottom of a lower case letter which has no ascender or descender, such as x. It is the distance between the base line and the mean line. The curved tops and bottoms of the p, o, and g extend beyond these lines so that they appear visually to fit the x-height.
8. The cap line is the imaginary line which determines the height of capital letters.
9. The mean line is the imaginary line which determines the height of lowercase letters. Asc - enders rise above the mean line.
10. The descender line is the imaginary which defines the bottom reach of descenders.
Define Serif: 1. the
fine line that extends from the top and bottom making them easier to read, used
for the body text of a book. 2. A style
of typeface which has serifs
Define Sans-Serif: A typeface that is straight with no serifs or small extensions on letters; generally used for headers.
When do you use Antique Fonts? When you want to evoke a periodic feel or are talking about something historic.
At most how many words should be Decorative Fonts at a time? Three
What does a script font resemble? Handwriting
Why use Symbol Fonts? To provide embellishments to text or complement a specific text
Define Sans-Serif: A typeface that is straight with no serifs or small extensions on letters; generally used for headers.
When do you use Antique Fonts? When you want to evoke a periodic feel or are talking about something historic.
At most how many words should be Decorative Fonts at a time? Three
What does a script font resemble? Handwriting
Why use Symbol Fonts? To provide embellishments to text or complement a specific text
Define Typography: the art and of arranging in order to make
language visible
Why do designers need a solid foundation in typography? Everything you touch, see and create is impacted by the use of writing styles and techniques. Designers need to have a solid foundation so they can be more effective as they design and layout projects containing words.
Kerning: the space located between individual letters of a word
Leading: the space between the lines of text
Tracking: the creation of “rivers” of white space throughout the text body
Why do designers need a solid foundation in typography? Everything you touch, see and create is impacted by the use of writing styles and techniques. Designers need to have a solid foundation so they can be more effective as they design and layout projects containing words.
Kerning: the space located between individual letters of a word
Leading: the space between the lines of text
Tracking: the creation of “rivers” of white space throughout the text body
When do you use Center Alignment? Headlines or Titles such as Newspaper headers, book titles, and report titles
when do you use Right Alignment? For corporate business letters, return address labels, business cards, and anything going for a professional look
When do you use Justified Alignment? Newspaper print and body text for textbooks
What is remembered, good styling, and bad styling? Why? Bad typography sticks with a person because
it’s intrusive and makes you angry because it looks so terrible.
What is legibility? The quality of being readable or distinguishable by the eye
What is legibility? The quality of being readable or distinguishable by the eye
Type size smaller than 7pt is: difficult to read
Type size smaller than 3pts is: utterly illegible
Type range for legible type is: 8pt and 14pt
What size do you use for long passages? 9pt and 10pt
What case do we use for Body? Lowercase
What is measure? The width of the text column
What can you tell me about Ranged/Ragged Edges? Ranged edges can be aligned in the left-hand margin (ragged right) this is the most common and most legible as well as aesthetically pleasing. Ranged text can also be aligned in the right hand margin (ragged left) which is hard to read at speed because the eye struggles to find the start of each line. However, it can be stylish for short amounts of text.
Type size smaller than 3pts is: utterly illegible
Type range for legible type is: 8pt and 14pt
What size do you use for long passages? 9pt and 10pt
What case do we use for Body? Lowercase
What is measure? The width of the text column
What can you tell me about Ranged/Ragged Edges? Ranged edges can be aligned in the left-hand margin (ragged right) this is the most common and most legible as well as aesthetically pleasing. Ranged text can also be aligned in the right hand margin (ragged left) which is hard to read at speed because the eye struggles to find the start of each line. However, it can be stylish for short amounts of text.
What are some ways text can be used as images? Summarize
what you see.
You can arrange text to be in the shape of an item as simple
as a Christmas tree to something as complex as an actual person. The simpler
shapes are easier to read because you aren’t so focused on what the shape is,
and the beginnings of each line are easy to find. The chicken and human are
hard to read because the text is so dense and jumbled.
**Read ALL of it.
Answer the following: **
Why is choosing and using the right font important? Give YOUR opinion. You need to choose a font that will appeal to
your audience and choosing a font that doesn’t do that will either bore them or
give them the wrong impression. You also need to make sure your font is
legible; it isn’t all about looking pretty.
What are the two most important things to remember? 1. Type
is on the page to serve the text. It should make the words easy to read and
provide a suitable background. Type should not overpower the text. 2. There are
no good and bad typefaces; there are appropriate and inappropriate typefaces.
Think about your reader and the feeling you want to convey, then choose a
typeface that fits.
What is appropriate? What do you have to consider? You have to use your own judgment to know
what is appropriate. You have to consider your audience, who you
will be presenting to. You have to pick a font they will be able to read and
understand, but not be bored or overwhelmed by.
Tell me the rules: (there
are 10)
1.
Body text should be between 10 and 12 point,
with 11 point best for printing to 300 dot-per-inch printers. Use the same
typeface, type size, and leading for all
your body copy.
2.
Use enough leading (or line-spacing). Always add
at least 1 or 2 points to the type size. Example; if you’re using 10 point
type, use 12 point leading. Automatic line height will do this for you—never
use less than this or your text will be cramped and hard to read.
3.
Don’t make your lines too short or too long. Optimum size; Over 30 characters and under 70 characters.
4. Make paragraph beginnings clear. Use either an indent or block style for paragraphs. Don't use both. Don't use neither, either.
5. Use only one space after a period, not two.
6. Don't justify text unless you have to. If you justify text you must use hyphentation.
7. Don't underline anything, especially not headlines or sub heads since lines seperate them for the text with which they belong.
8. Use italics instead of underlines.
9. Don't set long blocks of text in italics, bold, or all caps because they're harder to read.
10. Leave more space above headlines and sub heads than below them, and avoid setting them in all caps. Use sub heads liberally to help readers find what they're looking for.
4. Make paragraph beginnings clear. Use either an indent or block style for paragraphs. Don't use both. Don't use neither, either.
5. Use only one space after a period, not two.
6. Don't justify text unless you have to. If you justify text you must use hyphentation.
7. Don't underline anything, especially not headlines or sub heads since lines seperate them for the text with which they belong.
8. Use italics instead of underlines.
9. Don't set long blocks of text in italics, bold, or all caps because they're harder to read.
10. Leave more space above headlines and sub heads than below them, and avoid setting them in all caps. Use sub heads liberally to help readers find what they're looking for.
Monday, September 16, 2013
Wednesday, September 11, 2013
Dirty Water Drop
The water drop was a lot more difficult to create than the basketball player. This used more complex tools and concentration. The most difficult part of the water drop was offsetting the paths and creating the different shapes inside of the main water drop. This project was a lot of fun because it allowed you to play with the colors and really pick what you wanted your water drop to look like.
Friday, September 6, 2013
Wednesday, September 4, 2013
Simple Shapes
This boy was created by using simple shape tools on Adobe Illustrator. I used many different tools such as the ellipse tool for the head and basketball, and the spiral tool for the hair. I also learned to use tools such as the shape builder tool and width tool to make different effects that aren't present with just the shapes alone. This tutorial was a great one to start out with because it taught me how to use the simple shapes and tools I will need for more difficult projects later on.
Subscribe to:
Posts (Atom)